Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/continental-crust):
released March 3, 2022
Halldorophone, guitars, synths and other instruments by Guðmundur Steinn Gunnarsson.
Pedals by Travis Johns
Photo by Katelin Marit Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/continental-crust
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/horpma-xii-xvi):
released April 15, 2020
Dedicated to Páll Þorsteinsson or Guli Drekinn, may you rest in peace.
photo by Katelin Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/horpma-xii-xvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/horpma-xii-xvi):
released April 15, 2020
Dedicated to Páll Þorsteinsson or Guli Drekinn, may you rest in peace.
photo by Katelin Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/horpma-xii-xvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/horpma-xii-xvi):
released April 15, 2020
Dedicated to Páll Þorsteinsson or Guli Drekinn, may you rest in peace.
photo by Katelin Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/horpma-xii-xvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/horpma-xii-xvi):
released April 15, 2020
Dedicated to Páll Þorsteinsson or Guli Drekinn, may you rest in peace.
photo by Katelin Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/horpma-xii-xvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/horpma-xii-xvi):
released April 15, 2020
Dedicated to Páll Þorsteinsson or Guli Drekinn, may you rest in peace.
photo by Katelin Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/horpma-xii-xvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/horpma-xvii-xx):
released April 1, 2022
All music, composition, performance and mixing by Guðmundur Steinn Gunnarsson.
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/horpma-xvii-xx
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/horpma-xvii-xx):
released April 1, 2022
All music, composition, performance and mixing by Guðmundur Steinn Gunnarsson.
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/horpma-xvii-xx
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/horpma-xvii-xx):
released April 1, 2022
All music, composition, performance and mixing by Guðmundur Steinn Gunnarsson.
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/horpma-xvii-xx
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/horpma-xvii-xx):
released April 1, 2022
All music, composition, performance and mixing by Guðmundur Steinn Gunnarsson.
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/horpma-xvii-xx
Upplýsingar af Bandcamp:
In Alberta, Manitoba and Reykjavík 2016. Microtonally adjusted synthesizers, a just intonation of sorts. Loss, hurt, trying to cope. Fragments accumulate. Eerie slogans being sung outside. I hope it's real. I hope it's not happening - I hope that what I see is real. Sidereal side-chain sideways daisy-chained . Introverted arteries on a motorcycle. RENDER.
This set of pieces is for intended for home listening primarily - speakers or headphones in a comfortable environment.
credits
released March 25, 2018
Guðmundur Steinn Gunnarsson is an Icelandic composer. Guðmundur Steinn's musical style combines sound patterns without using a rigid rhythmic grid structure or pulse. This approach has led to the development of his animated notation, or 'anitation', instead of using traditional musical scores. During the performance, the musicians follow specific instructions that move across a computer screen. In his electronic music, despite the lack of formal notation, the music follows a similar aesthetic approach.
Afritað 2.4. 2018 af: https://thecoldvacuumofspace.bandcamp.com/album/kr-kul-n
Upplýsingar af Bandcamp:
In Alberta, Manitoba and Reykjavík 2016. Microtonally adjusted synthesizers, a just intonation of sorts. Loss, hurt, trying to cope. Fragments accumulate. Eerie slogans being sung outside. I hope it's real. I hope it's not happening - I hope that what I see is real. Sidereal side-chain sideways daisy-chained . Introverted arteries on a motorcycle. RENDER.
This set of pieces is for intended for home listening primarily - speakers or headphones in a comfortable environment.
credits
released March 25, 2018
Guðmundur Steinn Gunnarsson is an Icelandic composer. Guðmundur Steinn's musical style combines sound patterns without using a rigid rhythmic grid structure or pulse. This approach has led to the development of his animated notation, or 'anitation', instead of using traditional musical scores. During the performance, the musicians follow specific instructions that move across a computer screen. In his electronic music, despite the lack of formal notation, the music follows a similar aesthetic approach.
Afritað 2.4. 2018 af: https://thecoldvacuumofspace.bandcamp.com/album/kr-kul-n
Upplýsingar af Bandcamp:
In Alberta, Manitoba and Reykjavík 2016. Microtonally adjusted synthesizers, a just intonation of sorts. Loss, hurt, trying to cope. Fragments accumulate. Eerie slogans being sung outside. I hope it's real. I hope it's not happening - I hope that what I see is real. Sidereal side-chain sideways daisy-chained . Introverted arteries on a motorcycle. RENDER.
This set of pieces is for intended for home listening primarily - speakers or headphones in a comfortable environment.
credits
released March 25, 2018
Guðmundur Steinn Gunnarsson is an Icelandic composer. Guðmundur Steinn's musical style combines sound patterns without using a rigid rhythmic grid structure or pulse. This approach has led to the development of his animated notation, or 'anitation', instead of using traditional musical scores. During the performance, the musicians follow specific instructions that move across a computer screen. In his electronic music, despite the lack of formal notation, the music follows a similar aesthetic approach.
Afritað 2.4. 2018 af: https://thecoldvacuumofspace.bandcamp.com/album/kr-kul-n
Upplýsingar af Bandcamp:
In Alberta, Manitoba and Reykjavík 2016. Microtonally adjusted synthesizers, a just intonation of sorts. Loss, hurt, trying to cope. Fragments accumulate. Eerie slogans being sung outside. I hope it's real. I hope it's not happening - I hope that what I see is real. Sidereal side-chain sideways daisy-chained . Introverted arteries on a motorcycle. RENDER.
This set of pieces is for intended for home listening primarily - speakers or headphones in a comfortable environment.
credits
released March 25, 2018
Guðmundur Steinn Gunnarsson is an Icelandic composer. Guðmundur Steinn's musical style combines sound patterns without using a rigid rhythmic grid structure or pulse. This approach has led to the development of his animated notation, or 'anitation', instead of using traditional musical scores. During the performance, the musicians follow specific instructions that move across a computer screen. In his electronic music, despite the lack of formal notation, the music follows a similar aesthetic approach.
Afritað 2.4. 2018 af: https://thecoldvacuumofspace.bandcamp.com/album/kr-kul-n
Upplýsingar af Bandcamp:
In Alberta, Manitoba and Reykjavík 2016. Microtonally adjusted synthesizers, a just intonation of sorts. Loss, hurt, trying to cope. Fragments accumulate. Eerie slogans being sung outside. I hope it's real. I hope it's not happening - I hope that what I see is real. Sidereal side-chain sideways daisy-chained . Introverted arteries on a motorcycle. RENDER.
This set of pieces is for intended for home listening primarily - speakers or headphones in a comfortable environment.
credits
released March 25, 2018
Guðmundur Steinn Gunnarsson is an Icelandic composer. Guðmundur Steinn's musical style combines sound patterns without using a rigid rhythmic grid structure or pulse. This approach has led to the development of his animated notation, or 'anitation', instead of using traditional musical scores. During the performance, the musicians follow specific instructions that move across a computer screen. In his electronic music, despite the lack of formal notation, the music follows a similar aesthetic approach.
Afritað 2.4. 2018 af: https://thecoldvacuumofspace.bandcamp.com/album/kr-kul-n
Upplýsingar af Bandcamp:
In Alberta, Manitoba and Reykjavík 2016. Microtonally adjusted synthesizers, a just intonation of sorts. Loss, hurt, trying to cope. Fragments accumulate. Eerie slogans being sung outside. I hope it's real. I hope it's not happening - I hope that what I see is real. Sidereal side-chain sideways daisy-chained . Introverted arteries on a motorcycle. RENDER.
This set of pieces is for intended for home listening primarily - speakers or headphones in a comfortable environment.
credits
released March 25, 2018
Guðmundur Steinn Gunnarsson is an Icelandic composer. Guðmundur Steinn's musical style combines sound patterns without using a rigid rhythmic grid structure or pulse. This approach has led to the development of his animated notation, or 'anitation', instead of using traditional musical scores. During the performance, the musicians follow specific instructions that move across a computer screen. In his electronic music, despite the lack of formal notation, the music follows a similar aesthetic approach.
Afritað 2.4. 2018 af: https://thecoldvacuumofspace.bandcamp.com/album/kr-kul-n
Upplýsingar af Bandcamp:
In Alberta, Manitoba and Reykjavík 2016. Microtonally adjusted synthesizers, a just intonation of sorts. Loss, hurt, trying to cope. Fragments accumulate. Eerie slogans being sung outside. I hope it's real. I hope it's not happening - I hope that what I see is real. Sidereal side-chain sideways daisy-chained . Introverted arteries on a motorcycle. RENDER.
This set of pieces is for intended for home listening primarily - speakers or headphones in a comfortable environment.
credits
released March 25, 2018
Guðmundur Steinn Gunnarsson is an Icelandic composer. Guðmundur Steinn's musical style combines sound patterns without using a rigid rhythmic grid structure or pulse. This approach has led to the development of his animated notation, or 'anitation', instead of using traditional musical scores. During the performance, the musicians follow specific instructions that move across a computer screen. In his electronic music, despite the lack of formal notation, the music follows a similar aesthetic approach.
Afritað 2.4. 2018 af: https://thecoldvacuumofspace.bandcamp.com/album/kr-kul-n
Upplýsingar af Bandcamp:
In Alberta, Manitoba and Reykjavík 2016. Microtonally adjusted synthesizers, a just intonation of sorts. Loss, hurt, trying to cope. Fragments accumulate. Eerie slogans being sung outside. I hope it's real. I hope it's not happening - I hope that what I see is real. Sidereal side-chain sideways daisy-chained . Introverted arteries on a motorcycle. RENDER.
This set of pieces is for intended for home listening primarily - speakers or headphones in a comfortable environment.
credits
released March 25, 2018
Guðmundur Steinn Gunnarsson is an Icelandic composer. Guðmundur Steinn's musical style combines sound patterns without using a rigid rhythmic grid structure or pulse. This approach has led to the development of his animated notation, or 'anitation', instead of using traditional musical scores. During the performance, the musicians follow specific instructions that move across a computer screen. In his electronic music, despite the lack of formal notation, the music follows a similar aesthetic approach.
Afritað 2.4. 2018 af: https://thecoldvacuumofspace.bandcamp.com/album/kr-kul-n
Upplýsingar á Bandcamp (https://traktorinn.bandcamp.com/album/l-tr-n):
Electronic compositions from around 2015. Speaker compositions, utilizing electronic sounds, sounds of bowls, zithers, harps and various types of flutes and recorders, everything tuned in Just Intonation according to Magnús Jensson's 16-note tuning.
released April 23, 2017
Guðmundur Steinn Gunnarsson did everything in music and sound. His wife took the photo. Thanks to Páll Ivan frá Eiðum and Traktorinn. The author would like to dedicate this work to his grandmother and grandfather Guðmundur Hjaltason and Kristín Gunnarsdóttir.
Photo by Katelin Parsons.
Afritað 18.7. 2023 af: https://traktorinn.bandcamp.com/album/l-tr-n
Upplýsingar á Bandcamp (https://traktorinn.bandcamp.com/album/l-tr-n):
Electronic compositions from around 2015. Speaker compositions, utilizing electronic sounds, sounds of bowls, zithers, harps and various types of flutes and recorders, everything tuned in Just Intonation according to Magnús Jensson's 16-note tuning.
released April 23, 2017
Guðmundur Steinn Gunnarsson did everything in music and sound. His wife took the photo. Thanks to Páll Ivan frá Eiðum and Traktorinn. The author would like to dedicate this work to his grandmother and grandfather Guðmundur Hjaltason and Kristín Gunnarsdóttir.
Photo by Katelin Parsons.
Afritað 18.7. 2023 af: https://traktorinn.bandcamp.com/album/l-tr-n
Upplýsingar á Bandcamp (https://traktorinn.bandcamp.com/album/l-tr-n):
Electronic compositions from around 2015. Speaker compositions, utilizing electronic sounds, sounds of bowls, zithers, harps and various types of flutes and recorders, everything tuned in Just Intonation according to Magnús Jensson's 16-note tuning.
released April 23, 2017
Guðmundur Steinn Gunnarsson did everything in music and sound. His wife took the photo. Thanks to Páll Ivan frá Eiðum and Traktorinn. The author would like to dedicate this work to his grandmother and grandfather Guðmundur Hjaltason and Kristín Gunnarsdóttir.
Photo by Katelin Parsons.
Afritað 18.7. 2023 af: https://traktorinn.bandcamp.com/album/l-tr-n
Upplýsingar á Bandcamp (https://traktorinn.bandcamp.com/album/l-tr-n):
Electronic compositions from around 2015. Speaker compositions, utilizing electronic sounds, sounds of bowls, zithers, harps and various types of flutes and recorders, everything tuned in Just Intonation according to Magnús Jensson's 16-note tuning.
released April 23, 2017
Guðmundur Steinn Gunnarsson did everything in music and sound. His wife took the photo. Thanks to Páll Ivan frá Eiðum and Traktorinn. The author would like to dedicate this work to his grandmother and grandfather Guðmundur Hjaltason and Kristín Gunnarsdóttir.
Photo by Katelin Parsons.
Afritað 18.7. 2023 af: https://traktorinn.bandcamp.com/album/l-tr-n
Upplýsingar á Bandcamp (https://traktorinn.bandcamp.com/album/l-tr-n):
Electronic compositions from around 2015. Speaker compositions, utilizing electronic sounds, sounds of bowls, zithers, harps and various types of flutes and recorders, everything tuned in Just Intonation according to Magnús Jensson's 16-note tuning.
released April 23, 2017
Guðmundur Steinn Gunnarsson did everything in music and sound. His wife took the photo. Thanks to Páll Ivan frá Eiðum and Traktorinn. The author would like to dedicate this work to his grandmother and grandfather Guðmundur Hjaltason and Kristín Gunnarsdóttir.
Photo by Katelin Parsons.
Afritað 18.7. 2023 af: https://traktorinn.bandcamp.com/album/l-tr-n
Upplýsingar á Bandcamp (https://traktorinn.bandcamp.com/album/l-tr-n):
Electronic compositions from around 2015. Speaker compositions, utilizing electronic sounds, sounds of bowls, zithers, harps and various types of flutes and recorders, everything tuned in Just Intonation according to Magnús Jensson's 16-note tuning.
released April 23, 2017
Guðmundur Steinn Gunnarsson did everything in music and sound. His wife took the photo. Thanks to Páll Ivan frá Eiðum and Traktorinn. The author would like to dedicate this work to his grandmother and grandfather Guðmundur Hjaltason and Kristín Gunnarsdóttir.
Photo by Katelin Parsons.
Afritað 18.7. 2023 af: https://traktorinn.bandcamp.com/album/l-tr-n
Upplýsingar á Bandcamp (https://traktorinn.bandcamp.com/album/l-tr-n):
Electronic compositions from around 2015. Speaker compositions, utilizing electronic sounds, sounds of bowls, zithers, harps and various types of flutes and recorders, everything tuned in Just Intonation according to Magnús Jensson's 16-note tuning.
released April 23, 2017
Guðmundur Steinn Gunnarsson did everything in music and sound. His wife took the photo. Thanks to Páll Ivan frá Eiðum and Traktorinn. The author would like to dedicate this work to his grandmother and grandfather Guðmundur Hjaltason and Kristín Gunnarsdóttir.
Photo by Katelin Parsons.
Afritað 18.7. 2023 af: https://traktorinn.bandcamp.com/album/l-tr-n
Upplýsingar á Bandcamp (https://traktorinn.bandcamp.com/album/l-tr-n):
Electronic compositions from around 2015. Speaker compositions, utilizing electronic sounds, sounds of bowls, zithers, harps and various types of flutes and recorders, everything tuned in Just Intonation according to Magnús Jensson's 16-note tuning.
released April 23, 2017
Guðmundur Steinn Gunnarsson did everything in music and sound. His wife took the photo. Thanks to Páll Ivan frá Eiðum and Traktorinn. The author would like to dedicate this work to his grandmother and grandfather Guðmundur Hjaltason and Kristín Gunnarsdóttir.
Photo by Katelin Parsons.
Afritað 18.7. 2023 af: https://traktorinn.bandcamp.com/album/l-tr-n
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2):
This is a sequel to Skartamannafélagið 1.
Electronic music, with some overdubs by the author, using random stuff.
released April 4, 2020
Thanks to Videopool Manitoba and various other facilities I have used.
Photo by Katelin Marit Parsons.
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2):
This is a sequel to Skartamannafélagið 1.
Electronic music, with some overdubs by the author, using random stuff.
released April 4, 2020
Thanks to Videopool Manitoba and various other facilities I have used.
Photo by Katelin Marit Parsons.
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2):
This is a sequel to Skartamannafélagið 1.
Electronic music, with some overdubs by the author, using random stuff.
released April 4, 2020
Thanks to Videopool Manitoba and various other facilities I have used.
Photo by Katelin Marit Parsons.
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2):
This is a sequel to Skartamannafélagið 1.
Electronic music, with some overdubs by the author, using random stuff.
released April 4, 2020
Thanks to Videopool Manitoba and various other facilities I have used.
Photo by Katelin Marit Parsons.
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2):
This is a sequel to Skartamannafélagið 1.
Electronic music, with some overdubs by the author, using random stuff.
released April 4, 2020
Thanks to Videopool Manitoba and various other facilities I have used.
Photo by Katelin Marit Parsons.
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2):
This is a sequel to Skartamannafélagið 1.
Electronic music, with some overdubs by the author, using random stuff.
released April 4, 2020
Thanks to Videopool Manitoba and various other facilities I have used.
Photo by Katelin Marit Parsons.
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2):
This is a sequel to Skartamannafélagið 1.
Electronic music, with some overdubs by the author, using random stuff.
released April 4, 2020
Thanks to Videopool Manitoba and various other facilities I have used.
Photo by Katelin Marit Parsons.
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2):
This is a sequel to Skartamannafélagið 1.
Electronic music, with some overdubs by the author, using random stuff.
released April 4, 2020
Thanks to Videopool Manitoba and various other facilities I have used.
Photo by Katelin Marit Parsons.
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2):
This is a sequel to Skartamannafélagið 1.
Electronic music, with some overdubs by the author, using random stuff.
released April 4, 2020
Thanks to Videopool Manitoba and various other facilities I have used.
Photo by Katelin Marit Parsons.
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2):
This is a sequel to Skartamannafélagið 1.
Electronic music, with some overdubs by the author, using random stuff.
released April 4, 2020
Thanks to Videopool Manitoba and various other facilities I have used.
Photo by Katelin Marit Parsons.
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skartamannaf-lagi-2
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-i-iv):
released December 4, 2020
All music by Guðmundur Steinn Gunnarsson
Photo by Katelin Marit Parsons
Dedicated to Helga Kimyo Jóakimsdóttir Roshi on Rohatsu 2020
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-i-iv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-i-iv):
released December 4, 2020
All music by Guðmundur Steinn Gunnarsson
Photo by Katelin Marit Parsons
Dedicated to Helga Kimyo Jóakimsdóttir Roshi on Rohatsu 2020
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-i-iv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-i-iv):
released December 4, 2020
All music by Guðmundur Steinn Gunnarsson
Photo by Katelin Marit Parsons
Dedicated to Helga Kimyo Jóakimsdóttir Roshi on Rohatsu 2020
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-i-iv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-i-iv):
released December 4, 2020
All music by Guðmundur Steinn Gunnarsson
Photo by Katelin Marit Parsons
Dedicated to Helga Kimyo Jóakimsdóttir Roshi on Rohatsu 2020
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-i-iv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix):
Dedicated to the memory of Alvin Lucier
released December 3, 2021
All music by Guðmundur Steinn Gunnarsson
Cover photo and gardening by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-ix-xix
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-v-viii):
released August 20, 2021
all music by Guðmundur Steinn Gunnarsson
cover photo by Katelin Marit Parsons
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skorpma-v-viii
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-v-viii):
released August 20, 2021
all music by Guðmundur Steinn Gunnarsson
cover photo by Katelin Marit Parsons
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skorpma-v-viii
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-v-viii):
released August 20, 2021
all music by Guðmundur Steinn Gunnarsson
cover photo by Katelin Marit Parsons
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skorpma-v-viii
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-v-viii):
released August 20, 2021
all music by Guðmundur Steinn Gunnarsson
cover photo by Katelin Marit Parsons
Afritað 17.7. 2023 af: https://gudmundursteinn.bandcamp.com/album/skorpma-v-viii
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi):
Skorpma er ekki horpma
skeit skori við lorpmu
brotin tannhjól
blika á báru
sjáðu nökk
í narva spori
láttu hjálið vita
að það haldi vori
grót og gaddur.
Einhvers þula
láttu vita
litla skula.
The Skorpma series is a by-product of the pieces Landvættirnar fjórar. It is a denser, more electric and more chaotic play of the elements. They interact and influence each other while remaing in autonomy. The boundaries are never fully blurred, yet they become to resemble one another. Light goes on in the end of the tunnel despite revulsionary repulsion. Leave your shit alone and come behind.
Ever since Laberico Narabida (2019) all my pieces are dealing with the elements. Sinfónía, Stífluhringurinn, Landvættirnar, Skorpma etc. all reflect this in some way. It is a play, a theater with four curtains, slowly revealing, interacting. Sometimes there is very little interacting, sometimes there is a lot. Sometimes it is obivious, sometimes it is not. Sometimes the elements sound all at the same time, sometimes one after the other. Each element may be contained in all the other elements, however, it remains distinct.
released February 4, 2022
Photo by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi):
Skorpma er ekki horpma
skeit skori við lorpmu
brotin tannhjól
blika á báru
sjáðu nökk
í narva spori
láttu hjálið vita
að það haldi vori
grót og gaddur.
Einhvers þula
láttu vita
litla skula.
The Skorpma series is a by-product of the pieces Landvættirnar fjórar. It is a denser, more electric and more chaotic play of the elements. They interact and influence each other while remaing in autonomy. The boundaries are never fully blurred, yet they become to resemble one another. Light goes on in the end of the tunnel despite revulsionary repulsion. Leave your shit alone and come behind.
Ever since Laberico Narabida (2019) all my pieces are dealing with the elements. Sinfónía, Stífluhringurinn, Landvættirnar, Skorpma etc. all reflect this in some way. It is a play, a theater with four curtains, slowly revealing, interacting. Sometimes there is very little interacting, sometimes there is a lot. Sometimes it is obivious, sometimes it is not. Sometimes the elements sound all at the same time, sometimes one after the other. Each element may be contained in all the other elements, however, it remains distinct.
released February 4, 2022
Photo by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi):
Skorpma er ekki horpma
skeit skori við lorpmu
brotin tannhjól
blika á báru
sjáðu nökk
í narva spori
láttu hjálið vita
að það haldi vori
grót og gaddur.
Einhvers þula
láttu vita
litla skula.
The Skorpma series is a by-product of the pieces Landvættirnar fjórar. It is a denser, more electric and more chaotic play of the elements. They interact and influence each other while remaing in autonomy. The boundaries are never fully blurred, yet they become to resemble one another. Light goes on in the end of the tunnel despite revulsionary repulsion. Leave your shit alone and come behind.
Ever since Laberico Narabida (2019) all my pieces are dealing with the elements. Sinfónía, Stífluhringurinn, Landvættirnar, Skorpma etc. all reflect this in some way. It is a play, a theater with four curtains, slowly revealing, interacting. Sometimes there is very little interacting, sometimes there is a lot. Sometimes it is obivious, sometimes it is not. Sometimes the elements sound all at the same time, sometimes one after the other. Each element may be contained in all the other elements, however, it remains distinct.
released February 4, 2022
Photo by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi):
Skorpma er ekki horpma
skeit skori við lorpmu
brotin tannhjól
blika á báru
sjáðu nökk
í narva spori
láttu hjálið vita
að það haldi vori
grót og gaddur.
Einhvers þula
láttu vita
litla skula.
The Skorpma series is a by-product of the pieces Landvættirnar fjórar. It is a denser, more electric and more chaotic play of the elements. They interact and influence each other while remaing in autonomy. The boundaries are never fully blurred, yet they become to resemble one another. Light goes on in the end of the tunnel despite revulsionary repulsion. Leave your shit alone and come behind.
Ever since Laberico Narabida (2019) all my pieces are dealing with the elements. Sinfónía, Stífluhringurinn, Landvættirnar, Skorpma etc. all reflect this in some way. It is a play, a theater with four curtains, slowly revealing, interacting. Sometimes there is very little interacting, sometimes there is a lot. Sometimes it is obivious, sometimes it is not. Sometimes the elements sound all at the same time, sometimes one after the other. Each element may be contained in all the other elements, however, it remains distinct.
released February 4, 2022
Photo by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi):
Skorpma er ekki horpma
skeit skori við lorpmu
brotin tannhjól
blika á báru
sjáðu nökk
í narva spori
láttu hjálið vita
að það haldi vori
grót og gaddur.
Einhvers þula
láttu vita
litla skula.
The Skorpma series is a by-product of the pieces Landvættirnar fjórar. It is a denser, more electric and more chaotic play of the elements. They interact and influence each other while remaing in autonomy. The boundaries are never fully blurred, yet they become to resemble one another. Light goes on in the end of the tunnel despite revulsionary repulsion. Leave your shit alone and come behind.
Ever since Laberico Narabida (2019) all my pieces are dealing with the elements. Sinfónía, Stífluhringurinn, Landvættirnar, Skorpma etc. all reflect this in some way. It is a play, a theater with four curtains, slowly revealing, interacting. Sometimes there is very little interacting, sometimes there is a lot. Sometimes it is obivious, sometimes it is not. Sometimes the elements sound all at the same time, sometimes one after the other. Each element may be contained in all the other elements, however, it remains distinct.
released February 4, 2022
Photo by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi):
Skorpma er ekki horpma
skeit skori við lorpmu
brotin tannhjól
blika á báru
sjáðu nökk
í narva spori
láttu hjálið vita
að það haldi vori
grót og gaddur.
Einhvers þula
láttu vita
litla skula.
The Skorpma series is a by-product of the pieces Landvættirnar fjórar. It is a denser, more electric and more chaotic play of the elements. They interact and influence each other while remaing in autonomy. The boundaries are never fully blurred, yet they become to resemble one another. Light goes on in the end of the tunnel despite revulsionary repulsion. Leave your shit alone and come behind.
Ever since Laberico Narabida (2019) all my pieces are dealing with the elements. Sinfónía, Stífluhringurinn, Landvættirnar, Skorpma etc. all reflect this in some way. It is a play, a theater with four curtains, slowly revealing, interacting. Sometimes there is very little interacting, sometimes there is a lot. Sometimes it is obivious, sometimes it is not. Sometimes the elements sound all at the same time, sometimes one after the other. Each element may be contained in all the other elements, however, it remains distinct.
released February 4, 2022
Photo by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi):
Skorpma er ekki horpma
skeit skori við lorpmu
brotin tannhjól
blika á báru
sjáðu nökk
í narva spori
láttu hjálið vita
að það haldi vori
grót og gaddur.
Einhvers þula
láttu vita
litla skula.
The Skorpma series is a by-product of the pieces Landvættirnar fjórar. It is a denser, more electric and more chaotic play of the elements. They interact and influence each other while remaing in autonomy. The boundaries are never fully blurred, yet they become to resemble one another. Light goes on in the end of the tunnel despite revulsionary repulsion. Leave your shit alone and come behind.
Ever since Laberico Narabida (2019) all my pieces are dealing with the elements. Sinfónía, Stífluhringurinn, Landvættirnar, Skorpma etc. all reflect this in some way. It is a play, a theater with four curtains, slowly revealing, interacting. Sometimes there is very little interacting, sometimes there is a lot. Sometimes it is obivious, sometimes it is not. Sometimes the elements sound all at the same time, sometimes one after the other. Each element may be contained in all the other elements, however, it remains distinct.
released February 4, 2022
Photo by Katelin Marit Parsons
Afritað 17.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xx-xxvi
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv):
All music by Guðmundur Steinn Gunnarsson
Dedicated to Christian Wolff
released May 4, 2022
12 string guitar borrowed from Kjartan Ásgeirsson
photo by Katelin Marit Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv):
All music by Guðmundur Steinn Gunnarsson
Dedicated to Christian Wolff
released May 4, 2022
12 string guitar borrowed from Kjartan Ásgeirsson
photo by Katelin Marit Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv):
All music by Guðmundur Steinn Gunnarsson
Dedicated to Christian Wolff
released May 4, 2022
12 string guitar borrowed from Kjartan Ásgeirsson
photo by Katelin Marit Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv):
All music by Guðmundur Steinn Gunnarsson
Dedicated to Christian Wolff
released May 4, 2022
12 string guitar borrowed from Kjartan Ásgeirsson
photo by Katelin Marit Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv):
All music by Guðmundur Steinn Gunnarsson
Dedicated to Christian Wolff
released May 4, 2022
12 string guitar borrowed from Kjartan Ásgeirsson
photo by Katelin Marit Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv):
All music by Guðmundur Steinn Gunnarsson
Dedicated to Christian Wolff
released May 4, 2022
12 string guitar borrowed from Kjartan Ásgeirsson
photo by Katelin Marit Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv):
All music by Guðmundur Steinn Gunnarsson
Dedicated to Christian Wolff
released May 4, 2022
12 string guitar borrowed from Kjartan Ásgeirsson
photo by Katelin Marit Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv
Upplýsingar á Bandcamp (https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv):
All music by Guðmundur Steinn Gunnarsson
Dedicated to Christian Wolff
released May 4, 2022
12 string guitar borrowed from Kjartan Ásgeirsson
photo by Katelin Marit Parsons
Afritað 18.7. 2023 af:
https://gudmundursteinn.bandcamp.com/album/skorpma-xxvii-xxxiv
