Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Hugar eru Bergur Þórisson 1993- og Pétur Jónsson 1994-.
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Kippi kaninus er Guðmundur Vignir Karlsson 1978-.
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
Upplýsingar á Bandcamp:
After a widely positive reception for ‘Piano Works’– the solo deconstruction by Gabríel Ólafs of his debut album ‘Absent Minded’–the gifted Icelandic composer is returning in November with his collection of reworks. A dramatically different take on his previous release, this time he’s enlisted the talent of Niklas Paschburg, Hugar, Masayoshi Fujita, Kelly Moran and more to completely reinterpret his usually minimalist output.
released November 13, 2020
Afritað 22.4. 2022 af: https://gabrielolafs.bandcamp.com/album/absent-minded-reworks
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó, hljóðgervill ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfunda og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó, hljóðgervill ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
[Upplýsingar um höfund og upptökustjóra á streymisveitunni Tidal.]
Magnús Jóhann Ragnarsson, píanó ; Skúli Sverrisson, bassi.
Upptökustjórn: Skúli Sverrrisson og Magnús Jóhann Ragnarsson.
Hljóðskrá 22.6. 2023 frá Sony Music Entertainment Denmark.
Óli Kondrup er Ólafur Sverrir Traustason.
Upplýsingar á Bandcamp:
released January 23, 2019
Afritað 1.11. 2023 af:
https://oli-kondrup.bandcamp.com/album/eyri
Óli Kondrup er Ólafur Sverrir Traustason.
Upplýsingar á Bandcamp:
released January 23, 2019
Afritað 1.11. 2023 af:
https://oli-kondrup.bandcamp.com/album/eyri
Óli Kondrup er Ólafur Sverrir Traustason.
Upplýsingar á Bandcamp:
released January 23, 2019
Afritað 1.11. 2023 af:
https://oli-kondrup.bandcamp.com/album/eyri
Óli Kondrup er Ólafur Sverrir Traustason.
Upplýsingar á Bandcamp:
released January 23, 2019
Afritað 1.11. 2023 af:
https://oli-kondrup.bandcamp.com/album/eyri
Óli Kondrup er Ólafur Sverrir Traustason.
Upplýsingar á Bandcamp:
released January 23, 2019
Afritað 1.11. 2023 af:
https://oli-kondrup.bandcamp.com/album/eyri
Óli Kondrup er Ólafur Sverrir Traustason.
Upplýsingar á Bandcamp:
released January 23, 2019
Afritað 1.11. 2023 af:
https://oli-kondrup.bandcamp.com/album/eyri
Óli Kondrup er Ólafur Sverrir Traustason.
Upplýsingar á Bandcamp:
released January 23, 2019
Afritað 1.11. 2023 af:
https://oli-kondrup.bandcamp.com/album/eyri
Óli Kondrup er Ólafur Sverrir Traustason.
Upplýsingar á Bandcamp:
released January 23, 2019
Afritað 1.11. 2023 af:
https://oli-kondrup.bandcamp.com/album/eyri
Upplýsingar á Bandcamp:
"At the outset everything merges. Echoes from the sound sources shroud perception.
Steadily the reflections subside as we draw closer to a vital ever-changing core."
Icelandic saxophonist and composer Tumi Árnason presents high-concept sombre opus Hlýnun (Warming), a piece that addresses our current existential threat, the climate crisis, through free jazz and experimental improvisation. Accompanying Tumi are bassist Skúli Sverrisson, drummer Magnús Trygvason Eliassen and keyboardist Magnús Jóhann Ragnarsson.
Hlýnun invites the listener into a dynamic ecosystem. Four instruments orbit each other, trade ideas and create vital soundscapes. A living multiplicity that grows and flourishes, gains balance but is threatened by an ever advancing hegemony. Songs of extinct birds are unveiled through melodies and a requiem for life itself bursts out of the organ. Man’s diagrams and machinery invade the composition, rousing intensities and endangering its unity. Members are lost in the commotion, the ecosystem regresses and becomes an apocalyptic ambiance, hiss and silence.
"At the end we dissolve into dust and phantoms
amid machinery and void."
credits
released July 23, 2021
Composed and written by Tumi Árnason
Performers:
Tumi Árnason - Tenor Saxophone
Magnús Jóhann Ragnarsson - Piano, Rhodes, Farfisa
Skúli Sverrisson - Electric Bass
Magnús Trygvason Eliassen - Drums
Recorded and Mixed by Albert Finnbogason
Mastered by Sarah Register
Album Artwork designed by Elín Edda Þorsteinsdóttir and Íbbagoggur
Artwork Layout by Elín Edda Þorsteinsdóttir
Cover Art by Þorsteinn Cameron
Texts by Brynja Hjálmsdóttir, Tómas Ævar Ólafsson and Tumi Árnason
Afritað 9.1. 2024 af:
https://tumiarnason.bandcamp.com/album/hl-nun
Upplýsingar á Bandcamp:
"At the outset everything merges. Echoes from the sound sources shroud perception.
Steadily the reflections subside as we draw closer to a vital ever-changing core."
Icelandic saxophonist and composer Tumi Árnason presents high-concept sombre opus Hlýnun (Warming), a piece that addresses our current existential threat, the climate crisis, through free jazz and experimental improvisation. Accompanying Tumi are bassist Skúli Sverrisson, drummer Magnús Trygvason Eliassen and keyboardist Magnús Jóhann Ragnarsson.
Hlýnun invites the listener into a dynamic ecosystem. Four instruments orbit each other, trade ideas and create vital soundscapes. A living multiplicity that grows and flourishes, gains balance but is threatened by an ever advancing hegemony. Songs of extinct birds are unveiled through melodies and a requiem for life itself bursts out of the organ. Man’s diagrams and machinery invade the composition, rousing intensities and endangering its unity. Members are lost in the commotion, the ecosystem regresses and becomes an apocalyptic ambiance, hiss and silence.
"At the end we dissolve into dust and phantoms
amid machinery and void."
credits
released July 23, 2021
Composed and written by Tumi Árnason
Performers:
Tumi Árnason - Tenor Saxophone
Magnús Jóhann Ragnarsson - Piano, Rhodes, Farfisa
Skúli Sverrisson - Electric Bass
Magnús Trygvason Eliassen - Drums
Recorded and Mixed by Albert Finnbogason
Mastered by Sarah Register
Album Artwork designed by Elín Edda Þorsteinsdóttir and Íbbagoggur
Artwork Layout by Elín Edda Þorsteinsdóttir
Cover Art by Þorsteinn Cameron
Texts by Brynja Hjálmsdóttir, Tómas Ævar Ólafsson and Tumi Árnason
Afritað 9.1. 2024 af:
https://tumiarnason.bandcamp.com/album/hl-nun
Upplýsingar á Bandcamp:
"At the outset everything merges. Echoes from the sound sources shroud perception.
Steadily the reflections subside as we draw closer to a vital ever-changing core."
Icelandic saxophonist and composer Tumi Árnason presents high-concept sombre opus Hlýnun (Warming), a piece that addresses our current existential threat, the climate crisis, through free jazz and experimental improvisation. Accompanying Tumi are bassist Skúli Sverrisson, drummer Magnús Trygvason Eliassen and keyboardist Magnús Jóhann Ragnarsson.
Hlýnun invites the listener into a dynamic ecosystem. Four instruments orbit each other, trade ideas and create vital soundscapes. A living multiplicity that grows and flourishes, gains balance but is threatened by an ever advancing hegemony. Songs of extinct birds are unveiled through melodies and a requiem for life itself bursts out of the organ. Man’s diagrams and machinery invade the composition, rousing intensities and endangering its unity. Members are lost in the commotion, the ecosystem regresses and becomes an apocalyptic ambiance, hiss and silence.
"At the end we dissolve into dust and phantoms
amid machinery and void."
credits
released July 23, 2021
Composed and written by Tumi Árnason
Performers:
Tumi Árnason - Tenor Saxophone
Magnús Jóhann Ragnarsson - Piano, Rhodes, Farfisa
Skúli Sverrisson - Electric Bass
Magnús Trygvason Eliassen - Drums
Recorded and Mixed by Albert Finnbogason
Mastered by Sarah Register
Album Artwork designed by Elín Edda Þorsteinsdóttir and Íbbagoggur
Artwork Layout by Elín Edda Þorsteinsdóttir
Cover Art by Þorsteinn Cameron
Texts by Brynja Hjálmsdóttir, Tómas Ævar Ólafsson and Tumi Árnason
Afritað 9.1. 2024 af:
https://tumiarnason.bandcamp.com/album/hl-nun
Upplýsingar á Bandcamp:
"At the outset everything merges. Echoes from the sound sources shroud perception.
Steadily the reflections subside as we draw closer to a vital ever-changing core."
Icelandic saxophonist and composer Tumi Árnason presents high-concept sombre opus Hlýnun (Warming), a piece that addresses our current existential threat, the climate crisis, through free jazz and experimental improvisation. Accompanying Tumi are bassist Skúli Sverrisson, drummer Magnús Trygvason Eliassen and keyboardist Magnús Jóhann Ragnarsson.
Hlýnun invites the listener into a dynamic ecosystem. Four instruments orbit each other, trade ideas and create vital soundscapes. A living multiplicity that grows and flourishes, gains balance but is threatened by an ever advancing hegemony. Songs of extinct birds are unveiled through melodies and a requiem for life itself bursts out of the organ. Man’s diagrams and machinery invade the composition, rousing intensities and endangering its unity. Members are lost in the commotion, the ecosystem regresses and becomes an apocalyptic ambiance, hiss and silence.
"At the end we dissolve into dust and phantoms
amid machinery and void."
credits
released July 23, 2021
Composed and written by Tumi Árnason
Performers:
Tumi Árnason - Tenor Saxophone
Magnús Jóhann Ragnarsson - Piano, Rhodes, Farfisa
Skúli Sverrisson - Electric Bass
Magnús Trygvason Eliassen - Drums
Recorded and Mixed by Albert Finnbogason
Mastered by Sarah Register
Album Artwork designed by Elín Edda Þorsteinsdóttir and Íbbagoggur
Artwork Layout by Elín Edda Þorsteinsdóttir
Cover Art by Þorsteinn Cameron
Texts by Brynja Hjálmsdóttir, Tómas Ævar Ólafsson and Tumi Árnason
Afritað 9.1. 2024 af:
https://tumiarnason.bandcamp.com/album/hl-nun
Upplýsingar á Bandcamp:
"At the outset everything merges. Echoes from the sound sources shroud perception.
Steadily the reflections subside as we draw closer to a vital ever-changing core."
Icelandic saxophonist and composer Tumi Árnason presents high-concept sombre opus Hlýnun (Warming), a piece that addresses our current existential threat, the climate crisis, through free jazz and experimental improvisation. Accompanying Tumi are bassist Skúli Sverrisson, drummer Magnús Trygvason Eliassen and keyboardist Magnús Jóhann Ragnarsson.
Hlýnun invites the listener into a dynamic ecosystem. Four instruments orbit each other, trade ideas and create vital soundscapes. A living multiplicity that grows and flourishes, gains balance but is threatened by an ever advancing hegemony. Songs of extinct birds are unveiled through melodies and a requiem for life itself bursts out of the organ. Man’s diagrams and machinery invade the composition, rousing intensities and endangering its unity. Members are lost in the commotion, the ecosystem regresses and becomes an apocalyptic ambiance, hiss and silence.
"At the end we dissolve into dust and phantoms
amid machinery and void."
credits
released July 23, 2021
Composed and written by Tumi Árnason
Performers:
Tumi Árnason - Tenor Saxophone
Magnús Jóhann Ragnarsson - Piano, Rhodes, Farfisa
Skúli Sverrisson - Electric Bass
Magnús Trygvason Eliassen - Drums
Recorded and Mixed by Albert Finnbogason
Mastered by Sarah Register
Album Artwork designed by Elín Edda Þorsteinsdóttir and Íbbagoggur
Artwork Layout by Elín Edda Þorsteinsdóttir
Cover Art by Þorsteinn Cameron
Texts by Brynja Hjálmsdóttir, Tómas Ævar Ólafsson and Tumi Árnason
Afritað 9.1. 2024 af:
https://tumiarnason.bandcamp.com/album/hl-nun
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Albert Finnbogason: Moog on ‘The Generating Station’ & ‘Pretty Late’
Rögnvaldur Borgþórsson: Electric guitar on ’The Generating Station’ & ‘Pretty Late’, lap steel on ‘100.000 Streets’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Albert Finnbogason: Moog on ‘The Generating Station’ & ‘Pretty Late’
Rögnvaldur Borgþórsson: Electric guitar on ’The Generating Station’ & ‘Pretty Late’, lap steel on ‘100.000 Streets’
Guðmundur Ari Arnalds: Electronics on ‘Vol’ & ‘Pretty Late’
Ragnheiður Ingunn Jóhannsdóttir: Violin on ‘Pretty Late’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Skúli Sverrisson: Acoustic bass on ‘Holt’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Guðmundur Ari Arnalds: Electronics on ‘Vol’ & ‘Pretty Late’
Magnús Trygvason Eliassen: Percussion on ‘Vol’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Rögnvaldur Borgþórsson: Electric guitar on ’The Generating Station’ & ‘Pretty Late’, lap steel on ‘100.000 Streets’
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar á Bandcamp (https://brynjardadason.bandcamp.com/releases):
Pretty Late was recorded over one year, although the compositions on the album have a longer history. With the nostalgic feelings that follows becoming an adult, the songs have deep meaning and memories for the young composer. The material is recorded at Sundlaugin (the infamous studio built by Sigur Rós in the 2000s) and Mengi (a legendary arts and experimental venue in central Reykjavík) who are also releasing the album. The songs have evolved with a personal soundscape that surrounds his guitar playing, collaborating with musicians like Skúli Sverrisson (Ryuichi Sakamoto, Jóhann Jóhannsson, Ólöf Arnalds), Albert Finnbogason (JFDR, Sóley), and various of Brynjar’s favorite session players. The whole album was recorded in the midst of the pandemic with Brynjar often working late into the night, making the melancholy shine through the recordings.
released December 11, 2021
Produced by Brynjar Daðason & Skúli Sverrisson
Mix: Albert Finnbogason
Mastering: Sarah Register
Recorded at Sundlaugin, Mengi, and in the home studios of Brynjar, Skúli & Albert
Sound engineer at Sundlaugin: Birgir Jón Birgisson
Cover: Katrin Koenning
Brynjar Daðason: Electric guitar, acoustic guitar, resonator guitar, Wurlitzer, synthesizers
Hljóðskrá 3.1. 2022 frá Brynjari gegnum WeTransfer.
Upplýsingar af Bandcamp: Instrumentation and arrangement by Skúli Sverrisson and Ólöf Arnalds.
Recorded in Benzín-Music studio, Reykjavík.
Mixed and mastered by Gunnar Örn Tynes.
Special thanks to Cyril Atef.
Afritað 15.3. 2019 af: https://olofarnalds.bandcamp.com/album/the-matador-ep
Upplýsingar af Bandcamp: Instrumentation and arrangement by Skúli Sverrisson and Ólöf Arnalds.
Recorded in Benzín-Music studio, Reykjavík.
Mixed and mastered by Gunnar Örn Tynes.
Special thanks to Cyril Atef.
Afritað 15.3. 2019 af: https://olofarnalds.bandcamp.com/album/the-matador-ep
Upplýsingar af Bandcamp: Instrumentation and arrangement by Skúli Sverrisson and Ólöf Arnalds.
Recorded in Benzín-Music studio, Reykjavík.
Mixed and mastered by Gunnar Örn Tynes.
Special thanks to Cyril Atef.
Afritað 15.3. 2019 af: https://olofarnalds.bandcamp.com/album/the-matador-ep
Upplýsingar af Bandcamp: Song and lyric written for the Náttúra concert in Reykjavík 2008. Instrumentation and arrangement by Skúli Sverrisson and Ólöf Arnalds.
Recorded in Benzín-Music studio, Reykjavík.
Mixed and mastered by Gunnar Örn Tynes.
Special thanks to Cyril Atef.
Afritað 15.3. 2019 af: https://olofarnalds.bandcamp.com/album/the-matador-ep
